The video was filmed at Telecine Cell in London, using a motion control system. The entire video and all the effects were shot on a single 400 ft roll of film, by multiple exposure and frame-accurate backwinding of the film strip. The graphics were shot as a series of secondary exposures using a TV monitor, and the flashing lights were created with an LED strip board, also exposed on the same piece of film. There was no post-production or editing at all on this video, except the colour correction transfer to video. This was at the insistence, and under the technical direction, of Michel Gondry.
Björk sings live in the video.
I could watch this all day.
"People like Brando are just kindergarten compared with Kinski… He is totally mad and unpredictable. It’s very hard to domesticate this wild man. I almost shot him it got so bad. There are rumors I directed him behind the camera with a gun. This is not true. He threatened to leave the set and I explained very calmly that I did have a rifle. He would reach the bend of the river, but with eight bullets. You can see there is something raging in this man. I owe him a lot. We owe each other a lot. We liked each other, we hated each other and we respected each other. It’s not easy to explain our relationship. It sounds like a paradox. The only thing that counts is what we see on screen." — Werner Herzog
A collaboration between madmen turned me into a film major 34 years later.
An Optimist’s Guide to Turkey Frying